CRAFT RECORDINGS AND BLUESVILLE RECORDS ANNOUNCE LATEST INSTALLMENT IN ACCLAIMED REISSUE SERIES

 

BUDDY GUY’S ELECTRIFYING 1968 LIVE OUTING, THIS IS BUDDY GUY!

AND SCRAPPER BLACKWELL’S 1962 LATE CAREER MASTERPIECE, MR. SCRAPPER’S BLUES

MAKE THEIR LONG-OVERDUE RETURN TO VINYL

 

The remastered albums, arriving May 16, will be available on audiophile-quality, 180-gram viny—in partnership with Acoustic Sounds—hi-res and standard digital formats are available now

Click here to visit the online media kit

Click here to pre-order vinyl and stream/download digital audio today

Los Angeles, CA (March 25, 2025)—Craft Recordings and Bluesville Records announces a fresh batch of reissues for two highly influential guitarists: 1968’s This Is Buddy Guy!, which marked the debut live album from the celebrated artist, and Mr. Scrapper’s Blues, the 1962 comeback album from seminal pre-war axeman Scrapper Blackwell. Set for release on May 16 and available for pre-order today, both LPs will be issued on vinyl in partnership with audiophile leader Acoustic Sounds and feature all-analog mastering by GRAMMY®-nominated engineer Matthew Lutthans (The Mastering Lab). The albums are pressed on 180-gram vinyl at Quality Record Pressings (QRP) with faithfully reproduced tip-on jackets. Rounding out each title is an insightful obi strip with new notes by GRAMMY-winning producer, writer and musician Scott Billington. Additionally, the remastered albums are available in hi-res and standard digital audio today.

 

Since launching in early 2024, Bluesville Records has celebrated America’s bedrock music genre, as well as the trailblazing musicians who contributed to its rich traditions, through handpicked titles—all culled from the catalogs of such legendary labels as Stax, Prestige, Vee-Jay, Vanguard, Rounder and Riverside. Living Blues notes that John Lee Hooker’s Burning Hell album, with its intimate acoustic feel and brutally honest songwriting, “casts a spell” over the listener, while Tracking Angle praises the stereo edition for its “terrific sound,” placing Hooker “on stage in your room.” No Depression highlights the diversity of styles across the Bluesville reissues, showcasing the breadth of Hooker’s prolific career. Similarly, Last Night Blues by Lightnin’ Hopkins and Sonny Terry has earned glowing reviews, with Mojo calling it “excellent” and “hypnotic boogie joy bringers.”

 

For more information, visit bluesvillerecords.com and read about the latest releases below:

 

Buddy Guy — This Is Buddy Guy!

An eight-time GRAMMY winner, Rock and Roll Hall of Fame inductee and GRAMMY Lifetime Achievement Award Winner, Buddy Guy (b. 1936) has long been counted among the greatest guitarists of all time. A key figure in the Chicago blues scene, whose work as a singer, songwriter and guitarist always straddled the line of blues and rock’n’roll, Guy has influenced multiple generations of musicians (Jimi Hendrix, Eric Clapton, Gary Clark Jr. and John Mayer, to name a few) during his seven-decade-long career.

 

After relocating to Chicago in the late ’50s, the self-taught, Louisiana-born artist found his footing in the industry, releasing a pair of solo albums, as well as a handful of projects with harmonica player Junior Wells in the ’60s. Those lucky enough to catch Guy in concert, however, were privy to the full breadth of his talents—from his awe-inspiring extended guitar solos to his soulful vocals. Vanguard Records recognized this and sought to capture the power of his electrifying performances with 1968’s This Is Buddy Guy!.

 

Recorded live at the New Orleans House—an intimate venue in Berkeley, CA—the album puts listeners in the front row, as Guy performs original compositions (including his languid “I Had a Dream Last Night” and the funky “24 Hours of the Day”) with well-chosen covers, such as Little Willie John’s “Fever” and Eddie Floyd’s “Knock on Wood.” Accompanied by a tight-knit band—including saxophonists A.C. Reed and Bobby Fields plus bassist Jack Meyers—Guy is truly at the peak of his prowess.

 

“Buddy Guy is the most dynamic and influential guitarist to have emerged from the Chicago blues scene, with gospel-shaded vocal chops to match his instrumental skills. He is at his focused best on This Is Buddy Guy!,” writes Scott Billington. “Whether he is playing a simmering line behind his vocal, or spluttering out a solo with the frenzy of a machine gun, his formidable talents are always at the service of sublime passion.”

 

Click here to pre-order This Is Buddy Guy! and scroll down for a tracklist.

 

 

Scrapper Blackwell — Mr. Scrapper’s Blues

While lesser known than many of his contemporaries, singer, songwriter and guitarist Scrapper Blackwell (1903–1962) was a supremely talented musician of the early 20th century who carved his own path in the blues scene. With a revolutionary style that treaded between jazz and blues, Blackwell was known for his articulate single-note picking on the acoustic guitar—a technique that would inform the electric Chicago blues sound in the following decades.

 

Born Francis Hillman Blackwell, the self-taught, Indiana-raised musician (who earned the nickname “Scrapper” for his fiery nature) began performing as a teenager. In the mid-1920s, he established a musical partnership with pianist Leroy Carr. The duo quickly gained a following—touring across the US and releasing over 100 sides, including “How Long, How Long Blues” (the biggest blues hit of 1928), plus other soon-to-be-standards like “Mean Mistreater Mama” and “Blues Before Sunrise.” This era also found Blackwell exploring a solo career and recording songs like “Kokomo Blues,” which would later inspire Robert Johnson’s “Sweet Home Chicago.” After Carr’s untimely death in 1935, however, Blackwell withdrew completely from music.

 

Flash forward to the late ’50s, with the rise of the folk-blues revival, when Blackwell was encouraged to return to the spotlight. In 1961, he recorded a full-length album for Prestige Records’ Bluesville imprint. The intimate solo session, captured in Indianapolis, finds Blackwell on guitar and vocals, as he performs some of his best-known repertoire, including the above-mentioned “Blues Before Sunrise,” the instrumental “‘A’ Blues,” the up-tempo “Little Boy Blues” and “Little Girl Blues,” which features the artist on piano. Tragically, just as Blackwell was primed for a successful second act, his life was taken from him during a random mugging, not long before the album’s release. In the coming years, however, his recordings would influence an array of rockers, bluesmen and folk artists.

 

“Mr. Scrapper’s Blues . . . is his late-career masterpiece,” declares Scott Billington. “Whether playing a precisely articulated rhythm, or taking off on a daring single-string solo flight, Blackwell was an underappreciated blues guitar original.”

 

Click here to pre-order Mr. Scrapper’s Blues and scroll down for a tracklist.

 

 

Buddy Guy – This Is Buddy Guy! (Vinyl)

 

Side A:

1. I Got My Eyes On You
2. The Things I Used To Do
3. (You Give Me) Fever
4. Knock On Wood

 

Side B:

1. I Had A Dream Last Night
2. 24 Hours Of The Day
3. You Were Wrong
4. I’m Not The Best

 

 

Scrapper Blackwell – Mr. Scrapper’s Blues (Vinyl)

 

Side A:

1. Goin’ Where The Monon Crosses The Yellow Dog
2. Nobody Knows You When You’re Down And Out
3. “A” Blues
4. Little Girl Blues
5. George Street Blues

 

Side B:

1. Blues Before Sunrise
2. Little Boy Blues
3. “E” Blues
4. Shady Lane
5. Penal Farm Blues

 

 

About Craft Recordings:

Craft Recordings is home to one of the largest and most essential collections of master recordings and compositions in the world. Its storied repertoire includes landmark releases from icons such as Celia Cruz, Creedence Clearwater Revival, Isaac Hayes, John Coltrane, John Lee Hooker, Joan Baez, Joan Sebastian, Little Richard, Miles Davis, R.E.M., and Traveling Wilburys. Plus, the catalog recordings of celebrated contemporary acts including A Day to Remember, Alison Krauss, Daddy Yankee, Evanescence, Nine Inch Nails, Taking Back Sunday, and Violent Femmes, to name just a few. Renowned imprints with catalogs issued under the Craft banner include Fania, Fantasy, Fearless, HITCO, Musart, Nitro, Panart, Prestige, Riverside, Rounder, Specialty, Stax, Vanguard, Varèse Sarabande, Vee-Jay and Victory, among many others. Craft creates thoughtfully curated packages, with a meticulous devotion to quality and a commitment to preservation— ensuring that these recordings endure for new generations to discover. Craft is also home to the Billie Holiday and Tammy Wynette estates which preserve and protect their respective names, likeness, and music through day-to-day legacy management of these cultural trailblazers.

 

Craft Recordings is the catalog label team for Concord. For more info, visit CraftRecordings.com and follow on Facebook, X, Instagram, TikTok, and YouTube.

 

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